Maria Valéria Rezende, a história, a memória, e a autoficção em Outros Cantos

Abstract

The present article identifies in the work Outros Cantos (2016), by Maria Valéria Rezende, remnants of the author's history mixed with the autofiction genre. To carry out this analysis, the foundation will be made using the studies of Bakthin (2002), Moises (2016), Gagnebin (2006). Contemporary literature has tended to be a multiplicity of genres, a mixture of different literary genres related to history and reality. In the meantime, there is the possibility of noticing the presence of two literary genres present in the work Outros Cantos, by Maria Valéria Rezende: the memory and self-fiction genre. Maria Valéria Rezende involves the reader in her production in a way that the real and the fictional mix. The military dictatorship, social and ideological problems, cultural issues and conflicts in a fictional space are present. There is, in the work Outros Cantos, the presence of the intertwining between history, memory and self-fiction.